![]() Idris Elba, star of Luther and The Wire, said in the report: “It is the responsibility of people who want change to force change.” The report also notes that “the poor representation of people of colour in academic and management positions needs to be tackled as a matter of urgency”. Seventy per cent of its funded scholars are people of colour. Since 2011, the ALWF has awarded £22m to arts education and related causes. The new report highlights the struggles faced by young people who are unable to afford the average £30,000 in tuition fees for three-year courses. I was flabbergasted that the answer was precisely zero.” “I asked my trustees how many theatricals had taken up the foundation’s offer to administer for free a scholarship in the name of anyone who wanted to fund one. Five years on there has been change, but not nearly enough. In the report’s introduction, Lloyd Webber writes: “Five years ago, my foundation commissioned a report on diversity in the theatre, or rather the lack of it, with the conclusion that theatre was ‘hideously white’. It calls for investment by producers, including those from TV and film, “who demand diverse talent but fail to invest accordingly”. Among key new recommendations are the need for bursaries, scholarships and other initiatives. ![]() The 2016 report set a target of 50% of places to be funded by scholarships and bursaries, but the new research found that only three of the drama schools surveyed have since achieved this. Now a 2021 survey of 15 of the nation’s drama schools (pdf) has concluded that, although the ethnic, cultural and socio-economic diversity of student intake has increased from 14% in 2016 to 21.5% in the 2019/20 academic year, “there remains a long way to go diversity in some student cohorts is in single percentage figures”. Noting that the stage needed to reflect the nation’s diversity, it found that “representation of minority ethnic actors is as low as one student a year in some drama colleges”. “Let’s all join forces to provide scholarships to fund diversity in the theatre, now.”įive years ago, the Andrew Lloyd Webber Foundation (ALWF) published its first report, which investigated the absence of black, Asian and minority ethnic people in live theatre. “If the theatre community is to make a real difference, then it’s no use us all wringing our hands and saying somebody other than ourselves must do something about it,” said Lloyd Webber. ![]()
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